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Track 1: Sekar Jagat Dance (1993)
This welcome dance (means ﾓWorldly Flowerﾔ) is performed by a group of girls carrying a bowl of flowers known as Canangsari. The happiness of the dancers in welcoming the guests is represented through the beautiful and energetic movements of the dancers.
Coreographer: Swasthi Widjaja Bandem Composer: I Nyoman Windha
Track 2: Cendrawasih Dance (1987)
This dance is a modern choreography that depicts the courting of two birds of paradise in the mating season. Coreographer: Swasthi Widjaja Bandem
Composers: I Nyoman Windha & I Wayan Berata
Track 3: Siwa Nataraja Dance (1990)
The dance of Siwa is the symbol of the creation of the universe. As the supreme dancer, the Lord Siwa continues to dance and this is why the rhythm and order in the cosmos. His dance unleashed the primal energies. These energies coalesced and the universe was born.
Coreographer: Swasti Widjaja Bandem Composer: I Nyoman Windha
Track 4: Rejang Dance (Anonymous)
This dance is performed by a group of females of the temple congregation. Although it is one of the simplest Balinese dances, Rejang possesses a dignity and elegance that are very beautiful.
Track 5: Pendet Penyambutan Dance (Anonymous)
This dance is used to be a ritual dance, performed at the temple courtyard. With some changes of the movements, this dance has become a welcome dance.
Track 6: Puspanjali Dance (1988)
This new composition is inspired by an old devotional dance form known as Rejang. This dance is performed as an introductory number to other dances or as a welcome dance.
Coreographer: Swasthi Widjaja Bandem Composer: I Nyoman Windha
Track 7: Oleg Tamulilingan Dance
This dance presents a flirtation between two bumble bees, a male and a female. They chase each other in a flower garden and the dance ends with the two bees fall in love. Coreographer: Swasthi Widjaja Bandem Composer: I Nyoman Windha
Track 8: Belibis Dance (1984)
This dance portrays the beauty and the graceful of a flock of wild ducks in their natural surroundings.
Coreographer: Swasthi Widjaja Bandem Composer: I Nyoman Windha
Track 9: Tabuh Gilak (Anonymous) Gilak refers to ﾓGalakﾔ which means bold. Gilak is a generic term for Balinese ostinato traditional music composition, and is played to accompany warrior dances and ritual procession as well. |
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Presented by: S.T.S.I (Sekolah Tinggi Seni Indonesia) Denpasar – College of Indonesian Art Denpasar Musicians: Ugal I: Nyoman Windha, S.S., Kar. Ugal II: Made Wardana Kendang I: Wayan Suweca, S.S., Kar Kendang II: Ketut Partha, S.S., Kar Pemade I: Ida Bgs Nyoman Mas, S.S.,Kar Pemade II: I Wayan Suartha, S.S.,Kar Pemade III: I Komang Sudirga, S.S.N Pemade IV: I Wayan Tusti Adnyana Kantil I: I Dw. Ketut Widiarsa Kantil II: I Wayan Rumika Kantil III: I Made Sumajaya Kantil IV: I Made Kartawan Kajar: I Ketut Budiyana Ceng-Ceng: I Wayan Pujawan Reyong I: I Wayan Gede Arnawa Reyong II: I Wayan Suweca, M.Mus Reyong III: I Wayan Sumertha Reyong: IV: I Dewa Ketut Alit Penyacah I: I Ketut Buda Astra Penyacah II: I Wayan AstawaJublag I: I Nyoman Kanasa Jublag II: I Wayan Widiartha Jagogan I: I Nyoman Tantra, S.S.,Kar Jagogan II: I Nyoman Pasek, S.S.,Kar Suling I: I Ketut Garwa Suling II: I Ketut Lanus Suling III: I Gst Ketut Sudana, S.S.,Kar Suling IV: Ida Bagus Arga Rebab I: I Ketut Lukayana Rebab II: I Ketut Suhandrika, SSN Gong: Pande Gede Mustika, S.S.,Kar Kempul/Kemong: I Nyoman Sudian, S.S.,Kar |
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